The first art is “I and the
Village”. This is one of his famous paintings. It was painted in 1911. It is a painting in
oil on canvas. It is an abstract style painting. Marc used both geometric shape
and organic shapes in the painting. We can see the value of every color that
Marc used in the painting. The work contains
many soft, dreamlike images overlapping each other in a continuous space: in
the foreground, a cap-wearing green-faced man stares at a goat or sheep with
the image of a smaller goat being milked on its cheek. In the foreground is a
glowing tree held in the man's dark hand. The background features a collection
of houses next to a church, and an upside-down female violinist in front of a
black-clothed man holding a scythe.
The green-faced man wears a necklace with cross, indicating that the man is a
Christian. I think this painting is influenced by memories of
the artist’s birth place and his relationship.
“La Mariee (French for “The Bride”) is a
painting by Marc Chagall in 1950. It was painted in oil on canvas. The focal
point is on a young woman in quasi-wedding attire with a bouquet of flowers. Marc
used abstract style. In the painting, we can see animals are playing musical
instruments. Then, there is a man that hangs over the head of the bride and the
church stands in the background. The
young woman is dressed in a red dress lively, with a virginal white veil draped
over her head and the background is a mix of fresh and soft blue and gray. This
effect allows the image of the woman to jump off the canvas and really attract
attention. My subject thought is Chagall has attempted to highlight the woman,
as is tradition in every marriage.
The last painting is “The
three candles”. This is his most famous painting. It was painted in 1938-1940
in Pairs, France. It is used oil on canvas. In the painting, the colors are vivid
and cover the canvas from edge to edge. He has incorporated his trademark
themes, such as young love and religious icons, while mixing in his abstract
style. The background features many angelic-like figures floating around. The
young couple appears to be rising up with the angels, which reflects heavily on
the artist’s appreciation of love and the respect and dignity that he affords
it. The young lovers themselves are focusing on the candles, which have definite
religious undertones, conveying a religious perspective for their relationship.
To me, this painting radiates happiness and spirituality; the background
emulates the young couple's loving tenderness towards one another. I can see
protection but not isolation, except, perhaps, the special bonding the young
couple have for each other, which will never be broken.
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