"Black
Girl's Window" was painted by Betye Sarr in 1969. Sarr used mixed medium. She
used geometric shapes on wooden window and organic shapes on moon and symbols
on the hands. The color that Sarr used for background was dark colors such as gray
and navy blue. The deep values of blue and grey that laid as a backdrop to the
silhouettes of skeletons and a human form were hypnotizing. She also used
bright and bold colors such as yellow and red for detailing the drawing and highlighting
the symbols. However, in Black girl's Window, Sarr colored the main figure, black
girl with color black to show that she was an African American. I believed that
Sarr particularly painted this figure black to reflect her identity as African
American Woman. There was something truly wondrous about the piece and its
description. The title states the idea of a window, and just by that there is
the urge to look and discover. To accompany that, Sarr also puts the
description of a girl and her ethnicity into our minds as the viewer; by
placing this context into our conscious, the audience is encouraged to
interpret every fragment of the piece as a narrative. As the feeling of
curiosity overwhelmed me, I began to notice that the emotions that this piece
evoked would be frighteningly similar as would a young girl as she were to
watch events through her window. I feel that this collage of three dimensional
objects combined with illustration stands as one of the strongest art pieces
with a narrative that I have yet to see. Subtly, the silhouette of the girl
stands that the bottom of the window pane as she peers outward to view the
world around here. This is a feeling, both as a child and as an adult, that we
are familiar with. This aspect to me, is what makes the piece feel close to
home and strangely familiar. Our minds feel wired to wonder as a child, which
gives us the sense of nostalgia as we reflect upon it as an adult. Moreover, the
profile view of human head is used. I think that Saar used human head as symbol
as what kind of mood she wanted to set in the artwork. For instance, the human
head in the Black Girl's Window, had flowers all over the head. The flower was
used to express the feminism of the girl. A window frame is an item we commonly
see in life. In Black Girls Window, I believed the window frame gave the
painting a clean finish, and it created Sarr's own unique art style.
Swept by Dale Brockman Davis in1970 is a mixed medium which
includes a broom, pieces of wood and paper in a frame. This is a 2D artwork
with 3D objects. The background is painted and a broom is placed leaning against a screen
door. The broom is wooden, with the bristles wrapped with leather. The focal point of
this work is the broom and the style is naturalistic. The black wall is
the negative space and the broom represents the positive space. In
African American culture, brooms are frequently used in weddings ceremonies in
a tradition called “jumping the broom”. The custom began during slavery were
black people were not allowed in churches, instead a bride and broom will jump
together over a broomstick. It is kind of sweeping old life and leaping into
new life.
Fabulous Naw Su! You write so thoughtfully and make clear objective and subjective observations about these works. I enjoyed your “reading” of the Saar piece and how it resonated with you. GREAT!! 10/10 points
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